Tuesday, March 22, 2011

Estefania Valls Urquijo - Myths


(Venice, Italy) Last year, Estefania Valls Urquijo said her dream was to have her work displayed in Venice during Carnevale. She said she had created cats with wings, which immediately caught my attention, since I am very interested in cats, especially if they have wings. 

True to her vision, somehow Estefania has transported her mystical sculptures from Guatemala to Venice and into the Primo Piano Venice Art Gallery. Perhaps the pagan cats with wings flew here on their own, and the silver boats with mythical mastheads sailed through the air. However she did it, Valls Urquijo is one of the most exciting artists to arrive in La Serenissima in a long time.

The creatures she captures live in another world. She allows them to visit earth through the tips of her fingers, solidifying their essence into ceramic and precious metals. They gaze into a mirror at their own reflection, trying to understand who and where they are. Estefania says, "Sometimes they scare me, and I wonder where they came from, these unique entities with so much strength and animation."

Estefania describes her process:

As a historical reference, my sculptures represent a fusion of elements, forms and symbols. Most utilize the zoomorphic form, exemplifying a single animal but with the strength of several different animals, to be worshipped in pagan ceremonies. 

Working in glazed ceramic, I usually create a series of up to seven or eight small and one or two large pieces, using the same mold but different enamels and finishes, later adding hair, feathers, fabrics, glass and metal. Most pieces have a unique base, specifically designed to match the sculpture. 

Small sculptures are made through a plaster mold, obtained from a plasticine original. Each piece is cast in liquid clay, remaining hollow inside, first baked in bisque, then baked again with the enamel. All enamels are processed at low temperatures.

Large sculptures are made with an iron skeleton covered with ceramic pieces, handmade on the skeleton itself, obtaining the final form as the pieces are added. 

Estefenia has also created some silvery ships that can whisk your spirit off on a journey through space and time to a dimension where no harm exists; the mastheads mounted on the front of the boats keep you safe. (In the photo at the very top of the page, you can see Estefenia Valls Urquijo looking into the eyes of one of her mastheads.)

I was amazed at how much work was involved in each sculpture, and the fine quality of the elements she used, from the precious metals to the glass. I imagined Estefenia laboring over the glass, the metal bases and frames, molding the ceramics, sprinkling on feathers and pressing on fabrics, and it seemed overwhelming. She told me she loves to work, and if she had her way, that all she would do was work. 

In my estimation, she is priced too low for all the talent, imagination, material and effort she has put into her art (not to mention the transportation:), and I strongly recommend visiting the Primo Piano Venice Art Gallery, who is one of my sponsors, and making an investment in the artist, Estefenia Valls Urquijo. 

Ciao from Venice,
Cat

Primo Piano Venice Art Gallery
Salizada San Samuele 3145
30124 Venezia
Ioulia Doudina
+39 338 4354587
Elisabetta Cudicio
+39 393 6770463

Monday, September 27, 2010

Primo Piano Venice Art Gallery

La Trilogia del Dollare by Manuela Sain

(Venice, Italy) At the Primo Piano Venice Art Gallery opening for Manuela Sain's My Holly-view on September 1 -- the same day the Venice Film Festival opened -- the artist told me that her greatest wish was that one day Quentin Tarantino would own the painting you see above, La Trilogia del Dollare. Sain had been influenced by Tarantino and Sergio Leone to such an extent that last year she presented an entire show inspired by the directors' films entitled C'era una volta (Once upon a time)...PULP Sergio Leone & Quentin Tarantino, fratelli di sangue (Blood Brothers). Hollywood icons such as Marilyn Monroe and Audrey Hepburn have also inspired the Novara-born artist, so Sain was especially pleased that Primo Piano was showing her work during the film festival. And that the President of the jury of the 67th Venice International Film Festival this year just happened to be Quentin Tarantino -- it seemed that Manuela Sain's stars were in alignment.

Kill Bill by Manuela Sain
Thanks to the efforts of Elisabetta Cudicio and Ioulia Doudina, owners of new Primo Piano Venice Art Gallery located about a minute away from the renowned Palazzo Grassi, Manuela Sain's wish came doubly true. Tarantino not only bought La Trilogia del Dollare, he also bought the acrylic on canvas painting Kill Bill. Timing, hard work, marketing, location and collaboration between the gallery and the artist paid off -- that, together with a dash of luck.

Lavagna a Terezin by Giorgio Celiberti
Elisabetta Cudicio hails from Friuli and has been in the business of promoting and selling art throughout Italy since 1996. Her passion for her work is evident the moment you enter Primo Piano. She doesn't believe a gallery should be silent and intimidating like a mausoleum, but filled with life and the search for truth. "We have to look for the truth every day. It is not something you discover over night. One of my greatest satisfactions is promoting an artist like Giorgi Celiberti, who is 81-years-old and working 365 days a year, with forty projects going at once. Art should make you feel something -- the most rewarding transactions are when people tell me they want to buy a particular piece of art because it fills them with emotion."

Russian-born Ioulia Doudina has a degree in law, studied psychology and has lived in Greece, Germany and now Italy. Her vitality and business sense perfectly complement the sensibilities of Elisabetta, her partner of four years. Thanks to Ioulia's Russian connections, Primo Piano works in conjunction with Galleria d'Arte Svetlana Serebtyakova in St. Petersburg, which is run by Ioulia's sister. When asked, why Venice? Ioulia enthused: "Because Venice is the city of art. It has great prestige. And we have a real collaboration with our artists -- it's not only about talent, it's about gathering together people with a similar spirit."

Another gallery that Primo Piano collaborates with is 6° Senso Art Gallery in Rome, owned by Barbara Tamburro, the daughter of one of their artists, Antonio Tamburro. Barbara was born into the rarefied world of art, and understands well its peaks and caverns.

These vibrant, attractive young women -- Elisabetta & Ioulia in Venice; Barbara in Rome; Svetlana in St. Petersburg -- have formed a network, pooling resources and cross-promoting artists, while retaining their individuality. With their eyes to the future, the gallerists are looking forward to establishing an international link with kindred spirits, all connected by art.

Primo Piano Venice Art Gallery
Salizada San Samuele 3145
30124 Venezia

Ioulia Doudina
+39 338 4354587
Elisabetta Cudicio
+39 393 6770463